Vishal Bhardwaj’s take on two of his films – Kaminey and
Haider. Haider is a 2014 Indian film based on Shakespeare’s Hamlet and Kaminey
is a 2009 crime drama film both of which starred Shahid Kapoor in the lead role.
Amidst Haider and Kaminey he made a couple of other films which din’t see their
success at the box office yet were critically acclaimed. Vishal Bhardwaj is
considered one of the most brilliant directors in the current times because of
his approach to films. His tactics of filmmaking stand as a great deal to the would-be
filmmakers. Vishal Bhardwaj’s ideology in filmmaking is clearly seen when he
makes intense hardcore dramas which say a lot more than what a conventional
filmmaker says.
Kaminey is about two twins who choose different paths
in their lives as time goes by. One becomes a thug while the other stands as a stuttering
weakling. Both of their lives are jeopardized when they face a problem and the
film moves forward as they realize that they only have each other to watch
their back. Mumbai underworld mafia has never been an old subject to Indian
cinema. Kaminey is one of those prominent films which deals with gangsters and
their inner lives alongside other inordinate films such as Satya, Company, Black
Friday. The success of the film Kaminey saw Vishal in
his role as an excellent storyteller. Today, Kaminey is considered one
of the best neo noir films.
The elements that lack in Kaminey are unquestionably
seen in Haider especially in terms of the depth of the film’s storyline. Haider
is easily one of the best visually gripping films that came out recently. The performances
from Tabu, Irrfan Khan, Kay Kay Menon including and especially Shahid Kapoor make
the film what it is. The film seems so silent but speaks very strongly when it
has to speak and makes the right point which satisfies us in every way. Both Kaminey
and Haider are visually engaging but in Kaminey, the one thing that holds back
is the depth in the script. When you watch the film, it seems to be
multi-layered with many characters and their specific characteristics but the film
is a definite straight narrative with interlaced characters who reveal their
attitudes towards their business as the film moves forward.
The comparison between Haider and Kaminey stands as a
huge contradiction because the approach of the director towards both the films
is unbelievably out of the box. Haider has a very strong point of showing people the consequences of an inner conflict that a character faces and the ultimate result that brings out the realization. The subsequent decision of that realization affects everyone in a way. Haider is comparatively very slow in narrative with
limited dialogues where the expressions of the actors speak more. In this case,
the director has succeeded in achieving such kind of performances from the
actors. The adaptation is very subtly made so that it is relevant to the current world. The film is set in such a space where everything that a person does is
questionable by the authorities.
'Haider' learns of a bitter truth which holds
the tension for the first half of the film and subsequently goes on a vengeance
mission.
The film is very hard to imagine without the brilliance of the
cinematographer, Pankaj Kumar, where the compensation of the narrative comes from
the cinematography and as a result, the audiences never get bored. The background
score is one central aspect that makes the audiences excited every now and then contributing to the film narrative making it an appealing
one.
On the other hand, Kaminey
has a firm riveting narrative with haunting background score and never-seen-before
performance from Shahid Kapoor. A simple fact is that films like Haider and Kaminey
are not everyday pictures that we get to see in the Indian cinema industry and
same thing goes to the director, he makes films with tough protagonists who are
always in the middle of a conflict. Vishal Bhardwaj's touch to the mafia genre and the deep
intense dramas made them the finest films with definite meaning. Both these films are a must watch in understanding the
director’s flexibility and his dynamic quality job of directing.
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